This little (?) fellow, christened Homunculus by Marguerite Heywood, his creator, was introduced as supporting evidence for Marguerite's comment a few weeks ago on the subject of the naked figures in the Bayeux Tapestry.
Marguerite implied that she produced Homunculus almost subconsciously, because, I guess, things deep and unbidden have to find an expression. How intriguing ...
Is that, then, what lay at the root (terrible pun) of the genitally enhanced men in the borders of the Bayeux Tapestry? Did the borders allow the (? female) embroiderers the place and opportunity to express hidden desires? Were the borders sexually subversive spaces?
If you're not into this kind of theorizing on a Sunday afternoon, that's fair enough. And maybe male genitalia just ain't your cup of tea (?!?!). But please understand that as the Anglo-Saxon Monk I had to find some way of intellectualizing my decision to put Homunculus and his equipment out there for all to see. I have my reputation to consider!